Wednesday, April 18, 2012

New Blog Coming Soon: But here's something for you...

It's been a while since I've updated any of the latest news in photography and cinematography. The main reason is trying to get the new blog to implement with everything properly, which is taking far more time than I expected. Add to that the fact that I might have to simply start from scratch and allow this blog to live and die on it's own...(Sad face). However, I would like to bring you up to speed on some of what's going on.

First: The Canon vs Nikon war and some of the issues we have.


I've shot with both Canon and Nikon cameras, I love both...but since my first camera was a Nikon I do favor their cameras. However, when Canon introduced their 5D Mark II back in 2009, it opened up a window for cinematographers that we really didn't expect. While the AF system for photography was the dog's poo, it was a revolution as far as what was happening in the cinema world.

It's 2012 and Nikon has finally caught up with Canon in the video department. Canon has finally managed to get a wicked AF system happening. And while the reviews of BOTH the Canon 5D Mark III and Nikon D800 (Direct competition IMO) are absolutely amazing cameras for stills and video compared to the past models, there are some issues.

Let's start with Canon: The 'light leak' issue. While it's unclear if all the first batches of Mark III's have been affected or not, there is a substantial amount of anger in the Canon community about this issue. What happens is if you illuminate the top display to get a better look at your settings, this light leaks into the camera affecting exposure metering. While I'm not sure why one would have their display illuminated during a shoot, the simplest solution is to just not use it OR to get your exposure readings when the illumination is turned off. Still, it's very disappointing that right out of the box we've got this issue. So far I haven't seen this affect actual picture quality or video quality. I'm sure more tests will be done and Canon have announced (In the U.S anyways) that they will be responding to this sometime mid-April (That's about now) to the issue.

The other issue, that is a non-issue IMO, is the video quality. No, I'm not talking about the inability to get clean HDMI out, I'm talk about the 'soft' look of the image. Because Canon wanted to tackle the issue of aliasing and moire, they needed to 'soften' things out (Pretty technical huh!?) BUT, adding sharpening in post brings everything back, something you couldn't do with your 5D Mark II files. On the Mark II, if you added sharpening it would simply cause the already present aliasing and moire to be worse. This time around it handles the sharpening in post like it should. It brings back the detail you need/want. Still, some have complained that this is something they will constantly have to do in post now, completely forgetting the fact that before the Mark III they were complaining about the aliasing and moire and that it is now GONE. We can't have everything at ones boys and girls.

Nikon's turn: The Nikon D800 as far as photographer's tool (Not cinematographer) is a beast and was the way to go as far as pricing was concerned. While I'm not sure about the rest of the world, at least in Japan and some other Asian countries, Nikon released a press announcement saying that there were errors made in pricing. The price now exceeds the price of the Canon 5D Mark III, and while the Nikon D800E was suppose to be more expensive, it is now cheaper than the D800 (Non-E). To me, this just seemed like Nikon underestimated their own product and decided to push the prices up to make more money. Corporate greed...

So with both of these cameras at the same price what does Nikon have to offer that Canon can't. The first is that massive 36MP sensor. This is great for studio photography...and that's where it stops. I'm not saying a sports photographer or wedding photographer couldn't shoot with this, but with file sizes doubling in size, you're workflow is going to slow down some. Also, instead of getting a nice 6 frames with the Canon, you only get 4 with the Nikon. 2 doesn't seem like much, but it can make the difference. That said, at 36MP you've got a lot of resolution and are able to crop and hold a lot of detail in the image compared to the other cameras out there.

What about video? Well, straight out of the camera I've seen some pretty impressive stuff for what I would consider Nikon's first 'real' try at video (Sorry D90 and D7000). It produces SHARP video straight out of the camera BUT suffers from horrible aliasing and moire. Canon is the winner there. Also, with the high MP sensor, the ISO's aren't holding up as well compared to the Canon. BUT what I have yet to see is the CLEAN HDMI OUT feature that allows you to record to an external recording giving you more color space to work with. The fellas at f-stoppers did a quick test and found that the external recording wasn't as robust as they thought it would be, but then they are photographers first and cinematographers in far second. More needs to be seen and done to get a real idea of what can be done.

Regardless of whether you go Canon or Nikon you won't be disappointed with the photography or video features of each camera. If you're invested in Canon glass, you'll be happy with the 5D Mark III. If you have Nikon glass, you won't regret getting a D800. Until Canon releases their 1Dx we won't really be able to compare their flagship cameras (Nikon D4 vs Canon 1Dx).

It's always important to stay calm when new gear comes along. We all jump on the latest and greatest BUT first batches tend to come out buggy and with problems. This isn't just when it comes to Canon or Nikon or even cameras. Wait a while, let them figure things out, then buy. A good 6 month wait would be the way to go before buying something like this. I do have to confess though, I per-ordered my Canon 5D Mark III. Luckily for me, the shop never got their batch in and I was able to put my order on hold and I'm currently waiting for a call back from Canon Japan to see what they have to say about the light leak.

Here's a good review of both cameras: Funny, but not exactly work safe!

This is a shootout of the new Nikon D800 and Canon 5D mkIII DSLRs, with a focus on the video quality in particular. More more detailed info, you can read my write-up of the tests at www.crisislab.com.

Edit: The greenscreen gag at the end was shot on the D800.

Friday, March 2, 2012

The Canon EOS 5D Mark III

It's here:



We've been hearing about the Canon 1Dx, then Nikon came out with their Nikon D4 and not so long after that the Nikon D800/D800E. Now Canon is finishing things off with The Canon EOS 5D Mark III. This has been a camera that Mark II owners have been waiting for for ages...or at least what seemed like ages. When I heard about the Canon 1Dx most of the Canon community around me where saying they would upgrade to that, since it is a full-frame camera. However, I wonder if minds have changed with the Canon EOS 5D Mark III.

The specs:

22.3 megapixel full-frame sensor
61-point AF
6 fps continuous shooting
ISO 100–25,600 sensitivity, expandable to ISO 102,400
Full-HD video with manual control
14-bit DIGIC 5+ processor
Weather sealing
8.11cm (3.2-inch) 1,040,000-dot screen
HDR mode

That's not a big bump in resolution (megapixel count) but Canon promises that the image quality will be far better with the way the camera actually handles the files. Until we get some real world samples we just won't know. The differences between this camera and the Canon 1Dx will be ISO sensitivity and continuous shooting with the Canon 1Dx taking the crown on both of those.

However, in the video department many are happy to hear that like the new Nikon cameras coming out, there will be an audio-jack for headphones so you can monitor your audio levels and make the necessary adjustments. This is a feature that is lacking in the Canon 1Dx, but we all have to remember that these cameras are being aimed at photographers more than they are cinematographers.

Until we get some real hands-on reviews, it will be hard to tell whether or not this will be a reason to upgrade your mark II for a mark III since the mark II is still a great camera and doing great things in both photography and cinema. After these cameras hit the markets and we start seeing some of those real-world tests, we won't know for sure which direction you should go in. For now just sit back, relax be ready to watch some great shorts and features to be made on these cameras.

Just one last comment, I'm liking the Canon 7D like layout of the new Canon EOS 5D Mark III. Also some new accessories: Wireless transmitter, GPS device and flash are all going to be coming in this month (And I believe end of April for the transmitter)

The Canon EOS 5D Mark III

It's here:

Photo & Video Sharing by SmugMug

We've been hearing about the Canon 1Dx, then Nikon came out with their Nikon D4 and not so long after that the Nikon D800/D800E. Now Canon is finishing things off with The Canon EOS 5D Mark III. This has been a camera that Mark II owners have been waiting for for ages...or at least what seemed like ages. When I heard about the Canon 1Dx most of the Canon community around me where saying they would upgrade to that, since it is a full-frame camera. However, I wonder if minds have changed with the Canon EOS 5D Mark III.

The specs:

22.3 megapixel full-frame sensor
61-point AF
6 fps continuous shooting
ISO 100–25,600 sensitivity, expandable to ISO 102,400
Full-HD video with manual control
14-bit DIGIC 5+ processor
Weather sealing
8.11cm (3.2-inch) 1,040,000-dot screen
HDR mode

That's not a big bump in resolution (megapixel count) but Canon promises that the image quality will be far better with the way the camera actually handles the files. Until we get some real world samples we just won't know. The differences between this camera and the Canon 1Dx will be ISO sensitivity and continuous shooting with the Canon 1Dx taking the crown on both of those.

However, in the video department many are happy to hear that like the new Nikon cameras coming out, there will be an audio-jack for headphones so you can monitor your audio levels and make the necessary adjustments. This is a feature that is lacking in the Canon 1Dx, but we all have to remember that these cameras are being aimed at photographers more than they are cinematographers.

Until we get some real hands-on reviews, it will be hard to tell whether or not this will be a reason to upgrade your mark II for a mark III since the mark II is still a great camera and doing great things in both photography and cinema. After these cameras hit the markets and we start seeing some of those real-world tests, we won't know for sure which direction you should go in. For now just sit back, relax be ready to watch some great shorts and features to be made on these cameras.

Tuesday, February 7, 2012

Canon launches three new lenses


Here it is on DP Review



I can't tell you how long many of my photography buddies have been talking about Canon would 'soon' be coming out with an upgrade to the Canon 24-70mm F2.8 with. Now it's here as the Canon 24-70mm F2.8 II USM...(Soon anyways). It promises a better build quality in a smaller package and better optics. Read the review at DP Review for more information on how all the optics work.

No clue as to what the street price will be, but it will certainly bring down the price of the older version by some. I'll wait and see whether or not the optics add anything special that would make it worth upgrading.

Additionally, Canon has announced 2 non-L prime lens updates, the Canon 24mm and 28mm F2.8 primes. These two bad boys will come with IS (Image Stabilization). Some may ask 'why' for such wide lenses would you want stabilization? The answer would be that some of us would like to be able to take some low light shots indoors without adjusting the aperture or ISO settings. The unfortunate side to this is that you will have to PAY for that IS. Again, not sure what the prices are going to be but I'm happy that Canon is working on non-L lenses for those of us on a budget.

D800: Another challenger from Nikon




It wasn't long ago (Just a few weeks now) that Nikon introduced us to their new flagship camera, the Nikon D4. We have yet to see real world users put this camera to the test as far as photography and video are concerned but it shouldn't be too long since we're now in February, the release date of the Nikon D4.

The D800 is set to replace the wonderful (But without video) D700. You can check out the press release HERE for all the glorious information.

First opinions on this camera as far as photography is concerned:

Nikon decided to go with 36.3 megapixels which is going to give you some seriously amazing dynamic range. However, that also means you're going to need a whole lot of extra storage space in the form of CF/SD cards (Why they didn't go with CF dual slots I don't know) and you'll need a few extra HDD's to store it all.

It's not as sensitive as the Nikon D4 is going to be (ISO 100-6400) but at a price HALF that of the Nikon D4, it doesn't matter. At ISO 6400 you're still going to be able to get some really good shots in low light situations.

There will be no Ethernet port available on the D800, which is too bad. Without it you will not be able to take advantage of the new optional WT-5 wireless transmitter that would allow you to remotely view and adjust settings via your Ipad or Iphone (And many other devices I'm sure).

The D800 will come in 2 flavors, the Nikon D800 and D800E. The E version of this camera will come WITHOUT a low pass filter. The low pass filter deals with moire and anti-aliasing. For some photographers, removing this filter will allow for sharper images. How much sharper? I'm not sure but we'll see some comparisons sometime in March.

The video: It should shoot just as nicely as the the Nikon D4, minus the ISO sensitivity. However, I don't see much of a difference with the exception of the crop factors (Available on the Nikon D4). Nikon certainly went out of their way to please many of the cinematographers this time around. I know that many photographers don't care for these 'video options' as they make the prices go up for functions they won't use. And be WARNED: If you plan on using this for video DO NOT get the D800E as it will be full of moire and anti-aliasing...not pretty.

For those planning on time-lapse shooting, those extra megapixels should be a lot of fun. Again, you will have to make sure you have the storage to do it, but I can't wait to see what people can do. As for the built-in time-lapse function, the one that stitches all your pictures together and produces a movie all inside your camera...that's not something I'm overly excited about. Being able to import your photos, adjust everything, pan and zoom effects (At a minimum) are all still part of the process of a good time-lapse.

For half the price of the Nikon D4 it might be worth getting 2 Nikon D800's if you're shooting video mainly. Unlike the Nikon D4 you won't be getting continuous shutter at 10fps but instead you'll get 4 or 5 fps (Those files are going double the size of your average files).

Now, these are all just opinions of course. We need real users in the world out there to tell us how they are getting along with the newest cameras coming from Nikon. They are certainly giving Canon a run for it's money this year. The Canon 1Dx still isn't out but already I'm wishing that it had some of the options that both the Nikon D4 and Nikon D800 have. Let's wait and see...

Joy Ride from Sandro on Vimeo.

A film by Sandro shot with the Nikon D800.

Director: Sandro
Editor: Alaster Jordan / Whitehouse
Music: Yessian
Production: Cap Gun

View the Behind the Scenes Video shot by the Nikon Crew: http://vimeo.com/36306101

Friday, January 6, 2012

New Nikon D4 Pro DSLR Camera is HERE

The Nikon D4 has been announced. Let's take a look at what we know about the FX-format 16.2-megapixel CMOS Sensor and other 'stuff' we get with this beast.


For photography: Things that I look forward to trying out on this, as far as what's been announced, first and foremost is the 51-point auto-focus system. The way it has been touted is as if you have two choices, to cast it out like a net (For subjects in motion) or to concentrate on one focus point (When shooting more controlled environments). For studio work I don't really need to worry that much about auto-focus since I'm in a controlled environment, but when shooting at an event where people are constantly on the move, that 'net' had better live up to what might well be a 6000 USD camera (Although now word on prices yet). Also there is the 'enlarge images up to 46X' ability. Getting in there to see if you're right on the mark as far as focusing is concerned. Not that big a deal for some, but for others (Perhaps those not tethered to a computer while shooting) it's great. ISO ranges are said to be as low as ISO 50 to the high of ISO 204800 equivalent. How well this ranges will work we can only know after someone out there puts it to the test, but knowing Nikon, I have a feeling it will outdo it's predecessor.

For video: So far all I'm curious about is how well the codec stands up against the rest of the DSLR market. Have they caught up to Canon in anyway shape or form? I see the options of shooting full 1080p at 30fps and 24fps but nothing yet on 60fps and whether it will be at 1080p or 720p (Here's hoping for 1080p because that would killer for slow motion work). And as with the photography portion, I'm curious as to how the noise will be handled when bumping it up. The ability to adjust volume and a mic jack (Something we've been waiting for on the Canon's) is also an interesting addition, and a very welcomed one at that. And of course, no more 12 minute limit on video capture. That's going to be EXTREMELY important for event cinematographers. Now we just need some video samples to see what the codec is like...

There certainly is more to the camera than what I just mentioned, but these are what I hope to get to first. Then move on to other aspects of the camera. The fact that it is weather sealed makes it great for those extreme conditions, but just how extreme can we get. Stuff like that is what will be next on my list of many 'Can it...?' list.

UPDATE: The first video from this wonderful camera. Remember to click on the 1080p option to watch it in it's full glory!


And Jared Polin had a sniff of the upcoming camera and goes into some of what he learned from his 30 minutes or so of talk time with a Nikon rep and some hands on with the camera. Sit back and grab a sandwich or something because he's got a lot to cover:

Saturday, December 31, 2011

Another Kickstart Campaign makes it...and offers a lot in return.

I talked a bit about the Kickstarter success that some have had. This time around it goes to the people at Realm Pictures with their project The Underwater Realm.

I think what helped them bring in their backers was the offerings to be had: Leading up to the January 1st 2012 deadline, Eve Hazelton (The DOP on the project) managed to put together some very interesting (And free) lighting tutorials originally made for Phillip Bloom's blog. This showed her (And the studio's) keen skills on lighting a scene. So, as a backer when you pledge $50.00 or more you get some REALLY COOL rewards:


The @EveHazelton Lighting Guide! An hour long tutorial with practical examples of how to light for film and video. This will cover everything from the theory of light through to equipment demonstrations & how to plan and execute lighting setups for dramatic scenes! Available as a digital download or DVD




Ocean Fan Pack - Blu Ray (or DVD) of the final films with your name in the credits as a supporter! This compilation will include all the concept artwork, production blogs and the behind the scenes documentary. Find out in-depth exactly how the project you helped create was made and watch it all in HD on the sofa (couch)! We will also send you completely exclusive behind the scenes still photos and messages from the cast and crew during production that nobody else will see!




LED Lighting Pack - good quality soft light is hard to achieve cheaply, and almost impossible to achieve on location. We have developed a set of rugged, low power, high output, fully submersible, cinema quality, battery powered lights and are giving you the plans to build and develop this system for yourself!


All of these for $50.00...not too shabby!! It certainly beats some of what people are offering as rewards! I would suggest future Kickstarter people to take note here and learn. While there are certainly plenty of free resources online that you can learn from, for a few of your hard earned dollars you get some pretty amazing tutorials and setups, not to mention supporting a great project. If you're not already a backer, I'd suggest you take a look at their Kickstarter Page to see what they are up to. As I write this they are in their last hours, but already they've made a great impact on the indie community. I can't wait to see the final results!

Check out Eve's lovely tutorials and be sure to check out The Underwater Realm.